Lisa Anita Wegner

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September 9, 2014 How I Ended Up In The Windowbox at Gallery 1313

Carolyn Tripp (Parkdale Film & Video Showcase) and I co-curate The Window Box Gallery at Phil Anderson’s Gallery 1313. Carolyn’s September’s installation was delayed due to installing new glass in the middle of the month so the space was empty in the interim.

 

I am involved in the Parkdale Art Mentorship Program and I was mentor to Maya Path. Maya came aboard my July projection/ performance exhibition STARDUST: Life on Jupiter as one of my STARDUST Technicians. She worked along with my team and my other intern Tarquin Richards. 

Maya also assisted me for Queen of STARDUST the closing performance event of the week. And when I fell out of the ten foot dress installation it was Maya who caught me:

Maya and I are creatively simpatico and I enjoyed adding her into my art practise. We started formulated an idea of what we wanted to make for the End of Program Exhibition supported by Telus and Gallery 1313. We started playing on video and I found her shooting and her editing worked well with mine. We started working on TRIPTYCH our performance/ projection/ popcorn party installation.

“TRIPTYCH isa collaboration with Maya Path for the Parkdale Artist Mentorship Program. Maya and I created three separate films that will be phasing for the entire exhibition. There are several inflatable glitter balls. Are they are? Are they to play with? Thursday September 4th at 8pm we willperform live with Maya accompanying the films on piano from Halifax via Skype representing the future. I will be there as Mama Dada representing the past. Come into our world and experience TRIPTYCH, kick a disco ball off the time/space continuum and munch some popcorn. You won’t want to leave.”

Maya and I ended up creating a series of videos in preparation:

And it was very fun making the disco ball sculptures:

For the opening of THE PARKDALE MENTORSHIP SHOW I created an installation based on our mentorship collaboration. Using artifacts from creating TRIPTYCH I made this Window Box Display.

 

What a wonderful experience this has been. Maya is at School in Halifax and I have invited her back to collaborate when she is back in Toronto.

Cheers

Lisa,

co-curator Window Box  Gallery1313

owner Haus of Dada.

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Tags: gallery 1313, lisa anita wegner, maya path, mentorship, telus mentorship program, triptych film, window box gallery 1313

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• mental inertia, clichés and bad jokes

  Lisa Anita Wegner (°1973, Toronto, Canada) creates performances, installations, films and conceptual artworks. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, Wegner makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing.

  Her performances often refers to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created. By rejecting an objective truth and global cultural narratives, her works references post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.

  Her work urges us to renegotiate performance as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society. By using popular themes such as sexuality, family structure and violence, she creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position.

  Her works demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. By demonstrating the omnipresent lingering of a ‘corporate world’, she touches various overlapping themes and strategies. Several reoccurring subject matter can be recognized, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations.

  Her works are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image.

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