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Lisa Anita Wegner

I make stuff and sometimes write about it

Category Archives: performance art

A Resplendent Magician Trips Through the Orthodox Celebration in Robes

An Intergalactic Candy Corn Administrator Activates A Community of Glorious Freedom 

A Tenacious Contortionist Touches and Climbs Through The Zealot’s Conviction 

Is it you?

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WE are driven to push forwards, innovate, change, contribute to a questioning of old, outworn modes and to bring in new perspectives on the higher levels of consciousness – faze out the systems of separation and work to introduce new, inclusive ways of operating in unity. 

As spirit we know that there are no true boundaries between human beings, there is no separation. We all come from the same source, and we have incarnated as any imaginable variation of human being throughout our long existence – we have all been black and white at different times, we have all been women and men – and spirit wants us to remember this. From their perspective war and conflict on earth is due to the illusion of separation – based in the idea of one group of human beings as essentially different from or superior to another. In spirit we are all the same. 

Two perfect pieces of the most beautiful creation ever seen – the whole, you together in harmony like up and down, back and front, sky and earth, fire and water. 

Stretching through dimensions to each other like lions tied by spheres from star to star. Animalistic yet angel-winged. We come together. Brutal/soft. Hard flying. Comedowns nowhere. We stay up, fly together. 

Time means nothing in spirit but I’ve never been the patient type. I am a man/I am a woman/I am spirit/I am time/I am an eternally fading/exploding star. She is herself yet she is me. I am her yet I am myself. We are ancient yet children. Thousands of lives. Always each other. 

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your face is there like a fever dream

in the background 

like you’ve always been there and all ways will be.

I saw you looking for me

On the other side of tomorrow there is no need to worry

WE will decorate for the holidays

Coffee and candies in the bathtub

artful living

and the feeling of home

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Lisa Anita Wegner (°1973, Toronto, Canada) creates performances, installations, films and conceptual artworks. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, Wegner makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing.

Her performances often refers to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created. By rejecting an objective truth and global cultural narratives, her works references post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.

Her work urge us to renegotiate performance as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society. By using popular themes such as sexuality, family structure and violence, she creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position.

Her works demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. By demonstrating the omnipresent lingering of a ‘corporate world’, she touches various overlapping themes and strategies. Several reoccurring subject matter can be recognized, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations.

Her works are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image.

-500 Letters

Photo by Angela Chao at The Art Gallery of Ontario 2015

“Over the years that the way I pursue my work as been called amateur. Found objects and donated equipment have become my jam and I realize an unending burning desire to tell stories through any means possible. I take it a compliment as I will always been an amateur artist in the true sense of the word. I do my work for the sheer love and hunger of it, and I will never stop. Through volume I am becoming practised with a body of film, installation and performance work. I feel lucky that money will never be a motivator of my creative output.” -The Ubermarionette 2020

Photo by Angela Chao 2016

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“I am working on a performance film series called Metamorphosis Human Realignment. This physical stretching practise has changed my life and now through that doorway I am creating a piece in which I tell the truth with my body. I am very excited about this work.”

After speaking at Open Show Toronto about two of my therapy videos I have become even more aware of the clear path my body of work is taking.

I created the Fictitious History of the Haus of Dada as a therapeutic art practise and the bulk of my film and performance work has stemmed from it. After using persona and then the Dada movement as parameters I now feel compelled to strip everything down and tell my story with my body. I’ll talk a bit about that in a moment.

I started here in 2008 when I was still very sick. I made this Eva and Bobby video series in my home with iMovie and started to find my voice

 

 

 

Mama Dada was going to host the installation but that didn’t feel right. Thin(k) Blank Human was born that night.

The work progressed with a library of videos like Marry The Night

A Collaboration with Steve Weiss and Leslie Barton

A solo performance at The Mod Club in Toronto

Thin(k) Blank Human: Metamorphosis is a performance piece by artist Lisa Anita Wegner (haus of dada) and musician Ray Cammaert (Pink Moth). It began as an extension of Wegner’s Trauma Therapy and represents a safe place in the search for one’s self after complete annihilation. It is both a confirmation of vitality and a call to action. The piece explores male and female layers of the neutral self and uses vibration of sound to assist in the expression of terror, hysteria, madness, resilience and joy on the journey to re-birth.

 

After this metamorphosis I realized that I will always continue to embody Thin(k) Blank Human but as for my personal artistic through line I have come through the structure of relying on artifice to find authenticity. My current work is based in realigning my chronically tight psoas muscles which have caused a leg length discrepancy and making my physical body unstable and chronically crooked. After going to a stretch class of Mary-Margaret Scrimger’s at Pursuit I understood the power of stretching my body and how I felt different immediately. Now every day I stretch for at least 10 minutes, some studio days I stretch up to three hours. In this stretching and realignment I am finding myself and who I really am as an artist without all the performance bombast that I so enjoy.

I am working on a nude performance / film series called Metamorphosis Human Realignment. This physical stretching practise has changed my life and now through that doorway I am creating a performance to tell the truth with my body. I am very excited about this work. It’s also the first time I am not sharing as I go.

LAW

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In Toronto Canada, an arrogant performance artist declares themself amazing while refusing to show any facial expression.

 

When we reached out to the haus of dada for comment we received the following message in German via telegraph from curator Fritz Snitz. “The Ubermarionette only does private performances for close friends, artists and cherished audience members and is not interested in speaking with you peoples.” -Ritzy Fritzy

Artist Would Rather Give Ownership of Her Work to Those Who Inspire, Than Those Who Can Pay.

Performance Artist’s Perceived Gender Affects Audience Reaction 

 

 

 

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